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The Bittersweet Zombie Bowl

View PostSoulFish, on 01 July 2011 - 01:48 PM, said:

Spoiler

Okay first off the candy corn guy gets the pipe bomb from Mike and thinks it's cola, but considering the pipe bomb is in plain view in front of him in the flap why didn't he just go "oh shit", throw it back and don't talk to them again (I mean the thing even has a label saying NOT COKE and a lit fuse).
But then let's use suspension of disbelief to ignore that and see he's picked up the pipe bomb for some retarded reason, why does all the openings on the door suddenly close? I mean only the candy corn guy should be able to manipulate those which would lead him to throw the bomb back out.
But let us stretch our suspension of disbelief even further to accept this decision that defies any logic and go to the last two panels as he decides to extinguish the fuse with water, but as Sushi says, Fuses. Don't. Work. That. Way.
Also didn't you say you were going to edit the dialogue with paint? Apparently not since you've only done that for a single piece of dialogue in a previous comic, went "Fuck it!", and just wrote the script down and having to inconvenience the reader by having to read a script along with the comic.
Do you even KNOW what a comic is? It's not a bunch of scribbles packaged with a retarded script! It's supposed to use sequential art to tell a story in a clear and easy way, qualities this comic obviously lacks.

did it occur to you that the fuse may have been lit through a circuit when he pressed the button? but yeah i agree it wasn't that funny.

View PostSoulFish, on 01 July 2011 - 01:48 PM, said:

Spoiler

Okay first off the candy corn guy gets the pipe bomb from Mike and thinks it's cola, but considering the pipe bomb is in plain view in front of him in the flap why didn't he just go "oh shit", throw it back and don't talk to them again (I mean the thing even has a label saying NOT COKE and a lit fuse).
But then let's use suspension of disbelief to ignore that and see he's picked up the pipe bomb for some retarded reason, why does all the openings on the door suddenly close? I mean only the candy corn guy should be able to manipulate those which would lead him to throw the bomb back out.
But let us stretch our suspension of disbelief even further to accept this decision that defies any logic and go to the last two panels as he decides to extinguish the fuse with water, but as Sushi says, Fuses. Don't. Work. That. Way.
Also didn't you say you were going to edit the dialogue with paint? Apparently not since you've only done that for a single piece of dialogue in a previous comic, went "Fuck it!", and just wrote the script down and having to inconvenience the reader by having to read a script along with the comic.
Do you even KNOW what a comic is? It's not a bunch of scribbles packaged with a retarded script! It's supposed to use sequential art to tell a story in a clear and easy way, qualities this comic obviously lacks.

This post has been edited by Meleeman: 01 July 2011 - 10:38 PM

  • #101

View PostMeleeman, on 01 July 2011 - 10:27 PM, said:

View PostSoulFish, on 01 July 2011 - 01:48 PM, said:

Spoiler

Okay first off the candy corn guy gets the pipe bomb from Mike and thinks it's cola, but considering the pipe bomb is in plain view in front of him in the flap why didn't he just go "oh shit", throw it back and don't talk to them again (I mean the thing even has a label saying NOT COKE and a lit fuse).
But then let's use suspension of disbelief to ignore that and see he's picked up the pipe bomb for some retarded reason, why does all the openings on the door suddenly close? I mean only the candy corn guy should be able to manipulate those which would lead him to throw the bomb back out.
But let us stretch our suspension of disbelief even further to accept this decision that defies any logic and go to the last two panels as he decides to extinguish the fuse with water, but as Sushi says, Fuses. Don't. Work. That. Way.
Also didn't you say you were going to edit the dialogue with paint? Apparently not since you've only done that for a single piece of dialogue in a previous comic, went "Fuck it!", and just wrote the script down and having to inconvenience the reader by having to read a script along with the comic.
Do you even KNOW what a comic is? It's not a bunch of scribbles packaged with a retarded script! It's supposed to use sequential art to tell a story in a clear and easy way, qualities this comic obviously lacks.

did it occur to you that the fuse may have been lit through a circuit when he pressed the button? but yeah i agree it wasn't that funny.

View PostSoulFish, on 01 July 2011 - 01:48 PM, said:

Spoiler

Okay first off the candy corn guy gets the pipe bomb from Mike and thinks it's cola, but considering the pipe bomb is in plain view in front of him in the flap why didn't he just go "oh shit", throw it back and don't talk to them again (I mean the thing even has a label saying NOT COKE and a lit fuse).
But then let's use suspension of disbelief to ignore that and see he's picked up the pipe bomb for some retarded reason, why does all the openings on the door suddenly close? I mean only the candy corn guy should be able to manipulate those which would lead him to throw the bomb back out.
But let us stretch our suspension of disbelief even further to accept this decision that defies any logic and go to the last two panels as he decides to extinguish the fuse with water, but as Sushi says, Fuses. Don't. Work. That. Way.
Also didn't you say you were going to edit the dialogue with paint? Apparently not since you've only done that for a single piece of dialogue in a previous comic, went "Fuck it!", and just wrote the script down and having to inconvenience the reader by having to read a script along with the comic.
Do you even KNOW what a comic is? It's not a bunch of scribbles packaged with a retarded script! It's supposed to use sequential art to tell a story in a clear and easy way, qualities this comic obviously lacks.

I'm sorry, i realize what you were saying now. Amazil if it takes me that long to figure out the scenery in your comic it's not good. use a fucking ruler. also figure out what number you want mr. candy corn man to wear. i think another way to make your comic more understandable would be to distinguish better different characters. and to help you out i would use gimp. there is a lineart tutorial on youtube thats famous if you type in "lineart on gimp". what i would do is i would use a mechanical pencil and a ruler to draw out panels. once i'm done penciling everything in it may be sketchy like your comic, i would ink it digitally or traditionally i would use walmart pilot pens. do you have a tablet? cause if you don't making nice digital comics are a pain in the ass. and i'm not saying a tablet will make you better. it will simply make you faster. one more thing i would like you to type out your words on the panels. you can save alot of space by typing and you can communicate alot better. also I reccomend to look at taeshi's panels. she uses different panels for different situations. somtimes she goes paneless. which i think is pretty cool and i copy that occasionally when i can. she also occasionally experiments with different views. like the perspective in her recent comic. it wasn't perfect, but it still looked pretty cool and i had the idea. learn from taeshi.
  • #102

Well, I skimmed the comic. I found no redeemable qualities whatsoever, and for that, I give this 1 pickle out of 5. I don't care about grammar, spelling, plot, or any of that shit. All I care about is how much fun I had reading it. And that factor stands at zilch.

Plus your art style (not the art itself, which was well done) makes my eyes bleed :)

This post has been edited by OneLonelyPickle: 04 July 2011 - 06:02 PM

  • #103

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
sorry i haven't been responding, my internet's being an ass. let's get some stuff out of the way while we can.

View PostMeleeman, on 30 June 2011 - 10:58 PM, said:

View Postlt_amazil, on 30 June 2011 - 09:08 AM, said:

@Sammy probably people who wanted to kill Whittaker in l4d2@meleeman I'll try and salvage the faces when editing. Beta readers are wanted: it's actually not that different from a regular reader except you get to read the future comics and you get chapter5 meaning that you can have anything happen in the story (it doesn't even have to make sense) for this. one chapter. Note this isn't a way of asking for help .but rather giving someone an opportunity to get a bit more out of the comic.
i'll be a beta reader

oh that's wonderful! please send me a message for what you want in the chapter and i'll send you the future comics shortly

View PostGrass, on 01 July 2011 - 03:01 AM, said:

lt please get off the forums.

i will once this story's over

View PostToffee, on 01 July 2011 - 03:14 AM, said:

It's hard to read something so sloppy.And uhhh bro you're not going to get anywhere if you keep deleting your crap every time people don't like it.

Quote

you can have anything happen in the story (it doesn't even have to make sense)
Your comic/story here is doomed.

well the written version was scaring people away.

View PostSushiJaguar, on 01 July 2011 - 03:58 AM, said:

What the hell, I just noticed the shotgun has four barrels. What's going on there?

actually the two barrels on the side are actually a flashlight and laser that Paulo taped onto his spas.

View PostCarcharocles, on 01 July 2011 - 04:20 AM, said:

View PostSushiJaguar, on 01 July 2011 - 03:58 AM, said:

What the hell, I just noticed the shotgun has four barrels. What's going on there?
Shotguns with four barrels exist. They're typically 28 gauge or smaller, custom ordered and holy hell expensive. And he does have it in a realist pattern (diamond). However, they are not pump action and you cannot fit them with quick load attachments. You wouldn't saw one off either--they're too damn valuable.Edit: Amazil, I can read your penmanship just fine. For those who can't, you might want to rewrite your "script." What's being said in the page's first comic doesn't match what the "script" says. At all.

OH MY GOSH I FORGOT TO WRITE IN MIKE'S LINE FOR THE FIRST PANEL! i'll fix that later.

View PostSoulFish, on 01 July 2011 - 01:48 PM, said:

Spoiler
Okay first off the candy corn guy gets the pipe bomb from Mike and thinks it's cola, but considering the pipe bomb is in plain view in front of him in the flap why didn't he just go "oh shit", throw it back and don't talk to them again (I mean the thing even has a label saying NOT COKE and a lit fuse).But then let's use suspension of disbelief to ignore that and see he's picked up the pipe bomb for some retarded reason, why does all the openings on the door suddenly close? I mean only the candy corn guy should be able to manipulate those which would lead him to throw the bomb back out.But let us stretch our suspension of disbelief even further to accept this decision that defies any logic and go to the last two panels as he decides to extinguish the fuse with water, but as Sushi says, Fuses. Don't. Work. That. Way.Also didn't you say you were going to edit the dialogue with paint? Apparently not since you've only done that for a single piece of dialogue in a previous comic, went "Fuck it!", and just wrote the script down and having to inconvenience the reader by having to read a script along with the comic.Do you even KNOW what a comic is? It's not a bunch of scribbles packaged with a retarded script! It's supposed to use sequential art to tell a story in a clear and easy way, qualities this comic obviously lacks.

Mike pulled his side of the slot open, sealing the bottom. then he put his arm to cover the eye slot so he couldn't throw it out that way. also there's no windows for him to open. lastly the script is now abolished!


ANYHOW! here's the next page.

Posted Image
  • #104

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
next page and what candy corn guy did wrong.

Posted Image
  • #105

  • SushiJaguar
  • Internet Tough Guy<br>P.S. I roleplay as a medieval furry
    Member
It's not a god-damned flame.
  • #106

Lt_Amazil, I do believe the pipe bomb destroyed the fourth wall in your story. :smirk:

As others have been saying, you cannot extinguish a lit fuse with water, and using beer doesn't make the fuse burn faster. It's not a flame.
  • #107

Quote

well the written version was scaring people away.

Yeah, and on the flipside nobody knows what the hell is happening. GJ.

Also, why is McCain so tall? He's supposed to be ridiculously short.
  • #108

Okay okay, this last chapter wasn't too bad. I have half an ass of what is going on and a few parts had me almost laughing.
  • #109

  • Borg Lord
  • Talk shit about furries and see how mad I get!
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Beer isn't even flammable anyway. It doesn't have nearly enough alcohol.
  • #110

Beer is mostly water I guess
  • #111

yeah the beer plot was stupid, try a molotov or somthing like that and it would make more sense, i like how the words are typed out, you should continue doing that. now i reccomend drawing legit panels. this means getting a ruler and making a box however big you want it, but draw it lightly because you may want more or less room. you should experiment more with different panel layouts and different views of your characters. the more views of your character we can see and the more developed your style becomes, the better the comic is and the more understandable it becomes.
  • #112

I was like: WHAT
  • #113

This story needs more Lucy. Carter Loves Lucy.
  • #114

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
geeze i get it already! a fuse isn't killed by liquid and it isn't quickened by liquor, it doesn't matter in the end candy corn guy is dead.

next question is: why is McCain so tall?

because i have to have everyone in a proportionate height.

next suggestion: use different types of panels.

the next will have just that! BUT i will have to censor the faces of the two new members because their helmets will more than likely get me in trouble (note: it is nothing disgusting it's just that you'll look at it and say "WHY?!" or "YOU IDIOT!" or "WHY DO THEY HAVE THAT?!")

next suggestion: more lucy.

well from your name and enthusiasm i'll have to tell you straight up. you will despise chapter7 and love chapter8. for spoiling purposes i will not tell you why.


anywho here be the next page (censored for pride reasons)

Posted Image
  • #115

I...


I...


what.

seriously. what is going on?
i can't understand anything from these minicomics...
  • #116

  • SushiJaguar
  • Internet Tough Guy<br>P.S. I roleplay as a medieval furry
    Member
And now Master Chief.

Yaaaay.
  • #117

oh god. you should have waited for my input before you posted this.
  • #118

Oh man, oh god, oh man.
Are you even trying? I'm serious. At first I though you were beginning to improve this comic since you had edited the dialogue with your computer but now you've reverted back to what you had before.
I mean your penmanship here is horrible, an example is the squashed dialogue David is saying in the first panel and the song lyrics are even worse.
But honestly why have you censored the faces of the two men (who are master chief and their friend according to David, this is just... WTF) since well you said it's not because they're pornographic or anything but I'm guessing it may involve copyrights or something like that but you really shouldn't be so paranoid since I doubt Bungie would give two shits about that really.
But please TRY to make this comic better. PLEASE.
  • #119

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member

View PostGnukko, on 07 July 2011 - 01:31 PM, said:

I...


I...


what.

seriously. what is going on?
i can't understand anything from these minicomics...

two people fighting off zombies at the store. (note: they got the armor and helmets from a game store display then put some real body armor and padding to make it effective)

also please take notice to the one on the top's bandaged hands. the beta readers missed it and it's an important detail
  • #120

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
Posted Image
  • #121

'what?'
'IT'S THEM!'
'no way'

SO UNBELIEVABLY DRAMATIC IT WILL MAKE YOUR HEAD SPIN

Anyway, I'm... absolutely confused. I seriously have no idea what is happening.
I know one thing, though, is that the MSPaint censored faces are seriously distracting. Just censor it with your pencil.
  • #122

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
=[ it's okay the helmets come off in the next page. (i shall then name mike's little glomp sense)
  • #123

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
okay here is the sum up of chapter 1&2

the story opens with mike and lucy chasing down a helicopter. after lucy shoots it down mike gets enraged but later is hit in the head with a suitcase that came from a burning plane, looking at the suitcase and finding sandy's name on it he suggests to the group (mike,lucy,paulo,david) that they should go and check out the plane after it crashed. once there they find that the plane is a bloody mess and all the inhabitants are dead. but mike points out sandy who is in witch mode and runs after her. david comes in and they all watch as mike who idiotically alerted sandy gets raped by sandy. after sandy calms down she walks out of the plane as if nothing happens (theory that zombies can become civil once they are satisfied and calm down). as the group are about to leave they find that while they were distracted by sandy, a whole horde of zombies managed to surround the whole plane. david rushes out of the plane saying that he would sacrifice himself so the others can go but it's useless. the remaining 3 sit and watch as david walks into the field around the plane. but they find they aren't alone in the plane when McCain reveals himself to have followed them the whole time. suddenly a bright light flashes with david chanting "avi avi avi verbum avis" then the light from david evaporates all the zombies surrounding the plane (the power apparently came from clothes that david was given from god). as the group are walking lucy gives mike a beret explaining that it balances out mike's gayness. mike is then pulled to an alley by paulo who explains that mike should get along with lucy before it's too late. when mike and paulo regroup with the others they find that they already made camp and lucy is trying to start a fire with flint stones and wood but is having a hard time. paulo reveals he has kerosene from the plane and the group decide to tell stories.

that was chapter1: sandy air. it was just a way for me to get the ball rolling in the art and story.

chapter2:campfire tales

after the group are done telling stories, paulo tells everyone to go to bed. everyone leaves except for McCain who pressures Paulo into telling him why he had been acting weird, in which Paulo finally tells McCain what happened at the time of the apocalypse. he was wakened by a gunshot outside his bedroom, then his father kicks down his door, throws Paulo a spas and tells him how to use it. paulo and his father go to the car in which paulo watches as the world around him is torn apart by the zombies. his father on the other hand doesn't seem to be fazed by it. his father stops the car at jasmine's house telling paulo to go and rescue his girlfriend. Paulo is reluctant but does it. he goes in the house rushes up the stairs to jasmine's room but finds jasmine already being eaten by a zombie wearing a leather vest and white inside shirt. paulo runs away and tries to go to his dad's car but his father has already left him. as a horde of zombies close in on paulo, he finally snaps. he goes berserk and starts killing all the zombies in a blind rage. but after he is done and calmed down he hears a groaning from jasmine's room. finding jasmine zombified, paulo closes the door and locks it. he explains to McCain that he hadn't the heart to kill her yet and took the clothes to remind him of what happened. it then goes to Paulo and McCain going into a discussion about who's at fault in mike and lucy's relationship. mike and lucy wake up (they're in separate tents) and over-hear the conversation which ends chapter2.

now chapter 3 is missing a page (mainly because i colored it and the colors didn't look good at all) and it's just this.

mike,lucy and the rest of the group are walking down an alley. it's the new day and mike decides to make peace with lucy, unfortunately lucy had the same idea. they both go into an awkward "i'm sorry. no i'm sorry. no i'm sorry" conversation in which Lucy finally hushes mike and kisses him tenderly. paulo and McCain who are in the front say to each other
"i told you they were eavesdropping."-McCain
"i thought it was too good to be true."-paulo
  • #124

  • SushiJaguar
  • Internet Tough Guy<br>P.S. I roleplay as a medieval furry
    Member
Wait

Wait

Wait.

What do you mean, you're missing a page from chapter three? You haven't even put up the first two yet.
  • #125

  • lt_amazil
  • i agree, and believe everything migrant just said!
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yes i did sushi, you were there at the time. this is chapter3 and the written parts i did before where chapter 1&2
  • #126

  • SushiJaguar
  • Internet Tough Guy<br>P.S. I roleplay as a medieval furry
    Member
Ah, I see now.
  • #127

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
alright another day another update.

NOW WE SEE WHO IS BEHIND THE MASK! also i didn't censor this one because it's the last time i'll use the helmets.

Posted Image

This post has been edited by lt_amazil: 09 July 2011 - 02:10 AM

  • #128

  • SushiJaguar
  • Internet Tough Guy<br>P.S. I roleplay as a medieval furry
    Member
Sacrificing character personality for really terrible jokes.

Huh.
  • #129

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member

View PostSushiJaguar, on 09 July 2011 - 06:45 AM, said:

Sacrificing character personality for really terrible jokes.

Huh.

the apocalypse changed their views and personality. abbey,daisy, mike, lucy and (as shown already) paulo have some traumatizing experiences at the beginning of the apocalypse.

ALSO I REMIND YOU TO TAKE NOTICE OF DAISY'S BANDAGED HANDS!
  • #130

  • SushiJaguar
  • Internet Tough Guy<br>P.S. I roleplay as a medieval furry
    Member
I thought that was armour.

But good job revealing the plot twist wherein Daisy has been infected.

Edit: And really? You're trying to make this serious at the same time as injecting it more full of comedy puff than a chick getting Botox'd?

This post has been edited by SushiJaguar: 09 July 2011 - 07:44 AM

  • #131

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member

View PostSushiJaguar, on 09 July 2011 - 07:43 AM, said:

But good job revealing the plot twist wherein Daisy has been infected.


*grins devilishly as my inception plan works*
  • #132

  • SushiJaguar
  • Internet Tough Guy<br>P.S. I roleplay as a medieval furry
    Member
No. You're not smart, not are you leading anyone into a big dramatic thing. You're just being stupid, as usual. :smirk:
  • #133

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
just wait sushi just wait.
  • #134

View Postlt_amazil, on 09 July 2011 - 09:10 AM, said:

just wait sushi just wait.

amazil i wanted to tell you this but there are more ways than one, to do the scene where everyone's surprised at the fact that abbey and Daisy are in power armor. for example you could have split a panel into "pie" slices showing their reaction, or do the same scene like you did with out writing out their reactions, you only do that when its not obvious or the character is lying. what you could have done without changing any layout of the comic is to change the descriptions to dialogue, mike could say "OMG!" MCcain could say "heh." and david could say "Master Chief's taking off his Helmet!" the way you approached the scene was terrible and it could have been really good.

View Postlt_amazil, on 09 July 2011 - 07:31 AM, said:

View PostSushiJaguar, on 09 July 2011 - 06:45 AM, said:

Sacrificing character personality for really terrible jokes.

Huh.

the apocalypse changed their views and personality. abbey,daisy, mike, lucy and (as shown already) paulo have some traumatizing experiences at the beginning of the apocalypse.

ALSO I REMIND YOU TO TAKE NOTICE OF DAISY'S BANDAGED HANDS!

you should explain that in the comic I think it would be interesting
  • #135

View Postlt_amazil, on 09 July 2011 - 07:31 AM, said:

ALSO I REMIND YOU TO TAKE NOTICE OF DAISY'S BANDAGED HANDS!


It's hard to tell they're bandages. And to be honest that really doesn't look like Daisy, either.
  • #136

@Esalaka
Looks more like Daisy than the other stick figure things look like their respective characters.

@Lt. Amazil - Daisy isn't a circle head! This is the first sign of improvement I've seen here. But your lame attempt at spoiling the plot/misleading readers isn't a good idea.
Are you storyboarding, or at least planning things out in advance? Your story will become more coherent when you're not just drawing whatever.
  • #137

Well if that thing I think is David is David, the ears are rather distinct from those of other characters.

Also, why are the characters so godawfully tall. It's confusing me.

And why are you pointing arrows at people and explaining their expressions. Show, don't tell. It's one of the basic concepts of making a comic. If you just tell all the time just go ahead and drop the comic aspect.
In fact, I think that would be beneficial as your drawings are honestly pretty awful.
  • #138

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
alright i get it no giving away emotions like that. it's the only time that happens anyway.

also they aren't freakishly tall, i just make it so as they're all the same height...unless they're kneeling.

and Daisy looks a little better in the future comics.

ANYWAY now that that's over here's the next page.

Posted Image

Lucy's the one calling paulo just so you know.

This post has been edited by lt_amazil: 10 July 2011 - 12:41 AM

  • #139

View Postlt_amazil, on 10 July 2011 - 12:41 AM, said:

alright i get it no giving away emotions like that. it's the only time that happens anyway.

also they aren't freakishly tall, i just make it so as they're all the same height...unless they're kneeling.

and Daisy looks a little better in the future comics.

ANYWAY now that that's over here's the next page.

Posted Image

Lucy's the one calling paulo just so you know.

i fucking hate you ruined the surprise. also when everyone says "Shut it Mccain" shouldn't all the characters be facing him? and to me they look like people who haven't acted in their lives. use fucking body language, and i'll eventually develop nicer language.

View PostMeleeman, on 10 July 2011 - 04:54 AM, said:

View Postlt_amazil, on 10 July 2011 - 12:41 AM, said:

alright i get it no giving away emotions like that. it's the only time that happens anyway.

also they aren't freakishly tall, i just make it so as they're all the same height...unless they're kneeling.

and Daisy looks a little better in the future comics.

ANYWAY now that that's over here's the next page.

Posted Image

Lucy's the one calling paulo just so you know.

i fucking hate you ruined the surprise. also when everyone says "Shut it Mccain" shouldn't all the characters be facing him? and to me they look like people who haven't acted in their lives. use fucking body language, and i'll eventually develop nicer language.

try to avoid the same shots of a character unless you are doing it for a special effect. Also i don't think you understand me. what i'm saying about that scene where they were suprised, like esalaka said. show it. don't tell it. unless the character is masking their emotions and you would like the reader to know how they are really feeling. my character's constantly mask their emotions but i have emotions down to a friggen science, and you can tell just by looking that they are not feeling what they are trying to communicate. if you know what i mean. i've seen some comic artist do what you did, but it was only when you couldn't tell they were masking their emotions.

This post has been edited by Meleeman: 10 July 2011 - 05:08 AM

  • #140

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
they weren't looking at him because they were used to McCain being McCain.

also why would it be a spoiler that lucy was the one that called out paulo? it's not like it's a big deal, in reality anyone could've called him into the house but it wouldn't matter. it's not like i told them WHY she called him in the house.

This post has been edited by lt_amazil: 10 July 2011 - 08:19 AM

  • #141

View Postlt_amazil, on 10 July 2011 - 08:19 AM, said:

also why would it be a spoiler that lucy was the one that called out paulo? it's not like it's a big deal, in reality anyone could've called him into the house but it wouldn't matter. it's not like i told them WHY she called him in the house.

Amazil the spoiler you are referring to is not that Lucy calls Paulo into the house but the fact you told everyone to take notice of Daisy's bandaged hands which is you basically spoiling the fact that Daisy may become a zombie therefore all dramatic tension is ruined for future chapters.
And another thing, do you even listen to what people are telling you to do? I mean for ages people have asked you to use different panels or a ruler but you keep sticking to the same boring layout over and over and over.
Also please adjust the heights of your characters to be proportional to the comics, making them the same height for lazy convenience is stupid.
  • #142

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member

View PostSoulFish, on 10 July 2011 - 10:07 AM, said:

View Postlt_amazil, on 10 July 2011 - 08:19 AM, said:

also why would it be a spoiler that lucy was the one that called out paulo? it's not like it's a big deal, in reality anyone could've called him into the house but it wouldn't matter. it's not like i told them WHY she called him in the house.

Amazil the spoiler you are referring to is not that Lucy calls Paulo into the house but the fact you told everyone to take notice of Daisy's bandaged hands which is you basically spoiling the fact that Daisy may become a zombie therefore all dramatic tension is ruined for future chapters.
And another thing, do you even listen to what people are telling you to do? I mean for ages people have asked you to use different panels or a ruler but you keep sticking to the same boring layout over and over and over.
Also please adjust the heights of your characters to be proportional to the comics, making them the same height for lazy convenience is stupid.

i'm pretty sure i've said this before but i have a 42 page lead so all advice that you say is being done but it will be done in the future! i'm not going back and redoing 42 pages all over again because you want different panels! also i've started using the ruler.

View Postlt_amazil, on 26 June 2011 - 10:09 AM, said:

as for the speech bubbles i'll have to do that by hand, so you won't see that till page 72.


>:(
  • #143

View Postlt_amazil, on 10 July 2011 - 11:38 AM, said:

i'm pretty sure i've said this before but i have a 42 page lead so all advice that you say is being done but it will be done in the future! i'm not going back and redoing 42 pages all over again because you want different panels! also i've started using the ruler.


You are so fucking impossible it's actually ridiculous
  • #144

View Postlt_amazil, on 10 July 2011 - 11:38 AM, said:

i'm not going back and redoing 42 pages


You really should.

You. Really. Should.
  • #145

That just goes to show how much you really care about this comic here since you're not bothering to take our critique and redo the pages you have now. I honestly doubt your pages take like, an hour each to draw so you should really consider redoing them.
  • #146

my god Amazil. i'm amazed you can do 42 pages in a month. either you really suck at drawing and you have no life other than drawing these comics, or you are a lazy ass, and you scribble somthing on the paper without thinking "how do i want to present this character and how do i want to communicate this idea in my head to an audience?" I think it's more likely you are a lazy ass. it took me 2 years to finish my first book of my first comic. it was only 35 pages. but since i was inexperienced i jam packed the page with tiny panels. i would redo it. but i came up with a better story and i went with that instead. so far i have the first 4 pages in the process of being redone of my 17 pages already. and i'm nowhere near done. i'm probably going to end up with 150 pages at least or maybe more idunno. you need to be more patient and give us your best. because this shit you are giving us is not pleasing us. if you're doing this for yourself. fine. you'll be the only one that appreciates your work. but are you really happy with what you have accomplished so far? if you are. then I'm afraid we can't help you. and we'll never truly appreciate your work.

I'm starting to think that the only reason i'm on here now is to tell you how bad your work is, and that telling you to what to fix isn't going to do shit. I mean sure. i'm a Beta reader, but you post basically the same crap to me as you do on this forum.
  • #147

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
i've nothing to say because you're right. well shucks i forgot to update yesterday SO I BRING TO YOU 2 UPDATES!

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i'm sorry =[
  • #148

  • SushiJaguar
  • Internet Tough Guy<br>P.S. I roleplay as a medieval furry
    Member
Pssst, you need a special shotgun with a toothed barrel to breach a locked door. Uses special ammo, too, you won't just find that shit laying around in a zombie apocalypse.
  • #149

  • lt_amazil
  • i agree, and believe everything migrant just said!
    Member
curse you and you're realism sushi! >:O you ruin everything!

(I'M JUST KIDDING DON'T ANY OF YOU TAKE THIS SERIOUSLY)
  • #150

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