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MontyKindofPython's Kindof Improving Stuff

Okay, going to be posting drawings later, but figured I might as well make my own thread now.

Soooo erm. First thing going in is a story written for my English class.

It's not exactly my best, but I think it's a good example of my writing style that I've developed so far (and hope to develope more!!)

Spoiler


Feel free to leave criticism, constructive or not! (although if it's downright nasty and hateful I'll probably ignore you but okaaay!) Also, if you're a nice enough person to consider helping me, could you also umm... Consider other words? I dislike my vocabulary/// Sorry to sound pushy or anything, but uh. Enjoy?
  • #1

It's not bad, but a little confusing.
And you seem to alternate between a somewhat classical gentlemanly English and a modern one, though that's not a big deal at this point in time and can be easily changed.
I see some potential here, keep posting more please.
  • #2

It's alright, certainly not horrible. You should really invest in paragraphs, though, because it took me a while to realize that there was a significant change in scene between Ayumi killing herself and the rest of the story. The idea itself is interesting, but I feel you rely a little too much on dialogue, for the setting itself is severely lacking. I also found it difficult to get a handle on the flow of the dialogue; a lot of the time, I don't know who's saying what.

Either way, the idea is sound and I actually kind of like it. Keep it up. c:
  • #3

View PostMontyKindofPython, on 20 April 2012 - 06:58 PM, said:



Holding her head up high, she stepped forward, onto the empty air. It was the first step.
“It won’t go how you planned it, little girl.”
“Kara!” I turned around to face the direction of the familiar voice to face Leo, and grinned.
Leo was my best friend. He was about two years younger than me, but that only showed on his surface. His childish face, with his gigantic brown eyes, was a mask for his mind. He was extremely mature, and smarter still. Even though he was eleven, he was in ninth grade.


You seem to have suddenly switched viewpoint here- really, don't do that, it looks immature and horrible. There's also a few grammar points throughout that need to be seen to, such as "Its" instead of "It's" and that sort of thing. I also think the idea of an eleven-year-old being in 9th grade is a bit ridiculous. Apart from that, though, not bad! :)
  • #4

Oh gosh, thanks! I'll keep all that in mind next time I'm writing something, and I'll look over the story after school today and try to fix some of those problems :)
  • #5

Augh. D: First I find out I'm moving in three days, then photobucket starts going "I hate you". Welp. I'll try and get my drawings up as soon as possible!! /aaaaaaah
  • #6

My turn. I'm assuming you'll eventually fix up the things that those who have posted before me have addressed, so I'll focus on things that I found that others didn't point out.

Although what I'll say right away is that it's pretty clear that the views switched, but it took me some thinking to actually figure that out. But yeah, formatting, like the others said. Okay, now then...

Quote

Everyone reeked of sin, and you could feel the impurities running through the air.

Try to avoid the word "you" in narration. That's more of etiquette than requirement, and it's not exactly wrong, it's just preferred not to say "you."

Quote

Going to hell for suicide would be worth it. She would see her mother, spend all eternity with her. It was worth the never ending punishments of Limbo.

Hell =/= Limbo. Limbo is the time after life between Heaven and Hell. Well, depending on your beliefs, anyway: Limbo is basically nothingness. The absence of God and the absence of the devil. Stick to using "Hell," or if you don't want to repeat yourself, say "perdition" or "damnation." Hell is the equivalent of those outcomes.

Quote

I turned around to face the direction of the familiar voice to face Leo, and grinned.

Breaks the flow by being a tad too repetitious. I'd recommend something more like... "I turned to face the direction of the familiar voice that belonged to Leo and I grinned." (Yeah, speaking of which, the comma you stuck there was unnecessary)

Quote

Leo was my best friend. He was about two years younger than me, but that only showed on his surface. His childish face, with his gigantic brown eyes, was a mask for his mind. He was extremely mature, and smarter still. Even though he was eleven, he was in ninth grade.

Don't do this. Don't just randomly describe your characters or see it as part of the motions of introducing a story. Trust me, most of your readers will just imagine Leo as he appears to them--and hey, good to get your readers wondering, right? Trust me, there's a time and a place for showing description. Like, if a character could describe themselves, a good time would be looking and a mirror and observing the one who stands before them. Remember: fiction follows flow. The best courtesy you can do for your readers is to make it feel smooth. It's not the most important thing, but it helps.

Quote

In a split second, he was giggling like a five year old who’d just heard the word “boobies”.

LOL. No, I have no criticism, just... hahahaha. xD

Quote

Cackling, he just barely said, “Got ya, hehe, didn’t I?”

Didn't you just get done saying that he's mature? I mean, I can understand being childish with your friends but I doubt a freshman would do something like that. Oh, that's another thing I forgot to mention: more important than not forcing a description of their looks is forcing a description of the character's personality. Their personality should speak for itself.

Quote

Now we were both giggling. We crumpled down to the grass in the park, and laughed until we couldn’t breathe.

You said to help with language, so... I wouldn't say "crumpled." That has a kind of negative connotation to it. Really, although it sounds less sophisticated, just say "we fell" or "we collapsed." Using bombast is nice every now and then, but... well, I'll get to this point later.

Quote

That’s when something weird happened.

So just say "suddenly" at the next paragraph rather than saying that something weird was about to happen. A lot of the story should be able to speak for itself without the author telling the reader what to think.

Quote

I looked up, and saw that the beautiful blue sky was now red, as if the sun was cut in half and had bled out.

Actually I'm pretty sure if the sun was cut in half then it would explode, not bleed ou--/shot

Quote

I whipped my head around. The trees of the park were barren, their branches naked and their trunks burned. But that wasn’t the weird, horrifying part. None of it was.

No, I'd still find it "weird" that a luscious park suddenly turned effete. Try to say something more like "but that wasn't even the most of it."

Quote

But wait.

This, and the "No." (EDIT: and the "Wait. The voice." part) afterwards should be in italics, assuming she was thinking it. Then again, I think someone brought that up already.

I won't criticize the rest of it because I'm pretty sure everyone else already touched upon that part. So, onto a general critique, and I'll do my best not to repeat others.

The story lacks a setting--and note, I'm not saying setting in the way that Rakshiv described (though, what she says is true as well). What I'm speaking to is the background of the story. It's abrupt, and there's a lot of things that are unanswered and supposedly can be answered in the future, for I really hope you're not going to leave them hanging:
1) How old is Ayumi, exactly? I feel like she wouldn't be so destructive and suicidal if she were, say... seven.
2) Why is Kara so quick to adapt to the fact that there's some psycho demon girl that just hanged her best friend (and lover, apparently)? She's 13, since it states she's two years older than Leo, and she seemed so grief stricken at one point and then at the very next, she's like "you can't do this!" She also says this after everyone and everything that has meaning to her is destroyed. There's such a thing as being strong, but I know if I saw my friends, relatives, parents, and my girlfriend all hanged, I would lose it.
3) Is this a hallucination or real? Because if the sun really did just do that, everyone in the entire world would be dead.
4) How is it that if Leo is the only thing that matters to her, everything else that matters to her is hanged by a tree? If he's the only thing she cares about, no one else should be there.
5) Why was Leo smiling when he died?

Anyway, there's not much I can critique about the story itself. You have an interesting, classic idea that's been played with by many people. So I'm hoping you'll bring something original to the table. Right now, though, there's too little for me to critique about the story itself. Just keep writing and... fix the mistakes that people have pointed out.

EDIT: OH! One more thing. I was going to mention what you said about wanting "better" vocabulary. The next sentence will be an example... If you utilize amorphous variations of bombast in lieu of showcasing your novel, it will foment a detestable reaction from your audience. In more common English, what I just said was... don't use big words just to do it. It's good to have some descriptive diction, but if you overdo it, you'll start alienating most readers because they'd constantly be running to their dictionaries, which causes one of the worst things possible: breaking the flow. This undesirable phenomenon is known as "purple prose," if you want to look it up.

This post has been edited by Lux Aeterna: 23 April 2012 - 01:51 AM

  • #7

View PostLux Aeterna, on 23 April 2012 - 01:47 AM, said:

Anyway, there's not much I can critique about the story itself. You have an interesting, classic idea that's been played with by many people. So I'm hoping you'll bring something original to the table. Right now, though, there's too little for me to critique about the story itself. Just keep writing and... fix the mistakes that people have pointed out.

EDIT: OH! One more thing. I was going to mention what you said about wanting "better" vocabulary. The next sentence will be an example... If you utilize amorphous variations of bombast in lieu of showcasing your novel, it will foment a detestable reaction from your audience. In more common English, what I just said was... don't use big words just to do it. It's good to have some descriptive diction, but if you overdo it, you'll start alienating most readers because they'd constantly be running to their dictionaries, which causes one of the worst things possible: breaking the flow. This undesirable phenomenon is known as "purple prose," if you want to look it up.

Ahh thank you so much! I'm working on improving the story right now, and when everything is packed and I'm back over in Florida, I'll probably upload the newer version. along with some of my so called art but bluh
  • #8

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